Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Baron Jean-Baptiste Regnault
The Three Graces

ID: 71806

Baron Jean-Baptiste Regnault The Three Graces
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Baron Jean-Baptiste Regnault The Three Graces


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Baron Jean-Baptiste Regnault

Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.  Related Paintings of Baron Jean-Baptiste Regnault :. | Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure | L'education d'Achille par le centaure Chiron | Socrate arrachant Alcibiade du sein de la Volupte | The Education of Achilles by the Centaur Chiron (mk05) | Socrate arrachant Alcibiade du sein de la Volupte |
Related Artists:
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Alfred Guillou
French Academic Painter, 1844-1926
Friedrich von Amerling
Austrian Academic Painter, 1803-1887,Austrian painter. He came from a family of craftsmen and studied (1815-24) at the Akademie der bildenden Kenste, Vienna, where one of his teachers was the conservative history painter Hubert Maurer (1738-1818). From 1824 to 1826 he attended the Academy in Prague, where he was taught by Josef Bergler. In 1827 and 1828 Amerling stayed in London, and he met the portrait painter Sir Thomas Lawrence, whose work was to be a strong influence on Amerling's painting during the next two decades. Amerling also travelled to Paris and Rome but was recalled to Vienna on an official commission to paint a life-size portrait of the emperor Francis I of Austria (Vienna, Ksthist. Mus.). With this work,






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